Bibliothèque de prompts vidéo IA

Main Subject: Young Korean, naturally attractive, realistic skin, minimal makeup, long dark hair loosely tied back. Wearing an oversized faded lavender T-shirt, loose gray lounge pants, white socks, and a thin silver necklace. Preserve her exact identity, facial features, hairstyle, and appearance throughout. Location: Small old Seoul apartment balcony during a sudden summer rainstorm. Concrete walls, metal railing, clothesline, colorful laundry, plastic buckets, potted plants, neighboring apartment buildings, dripping air-conditioning units, wet rooftops and blurred city lights. Overcast daylight gradually becoming soft and gray. Style: Ultra-realistic early-2000s Sony MiniDV home video. Candid, imperfect, nostalgic, ordinary domestic life. Heavy handheld movement, imperfect framing, autofocus hunting, exposure shifts, faded colors, soft contrast, DV compression, slight motion blur and microphone noise. No stabilization or modern cinematic movement. 00:00–00:03: She hangs the last few clothes on the balcony when the first heavy raindrops begin hitting the railing. She looks upward, realizing the rain is coming. 00:03–00:06: The rain suddenly becomes intense. She quickly grabs the clothes from the line, struggling with several pieces blowing in the wind. The camera shakes while trying to follow her. 00:06–00:09: A gust blows water onto the balcony and splashes her. She laughs, ducks away, and pulls the remaining clothes inside. The camera briefly loses focus behind the wet fabric. 00:09–00:12: She finishes bringing everything inside, slightly damp, and stands beneath the balcony doorway watching the heavy rain. She wipes water from her face and laughs quietly. 00:12–00:15: She notices the camcorder, gives a small amused smile, then holds up one damp piece of clothing as if showing how badly the rain ruined everything. Thunder rumbles in the distance. The camera slowly pans toward the rain-covered rooftops and abruptly cuts. Audio: Only natural sound—heavy rain, wind, fabric flapping, dripping water, distant traffic, thunder, apartment AC units and faint voices. No music, narration, or added effects. Goal: Feel like an accidental family recording from the early 2000s: spontaneous, slightly chaotic, intimate and nostalgic, with the rain and imperfect camera operation creating the atmosphere naturally.

A cinematic anime-style scene of a young female traveler skateboarding downhill through a colorful coastal hillside town. She rides smoothly down a winding residential road, carrying a green backpack and orange shoulder bag, while the camera follows behind her in a dynamic tracking shot. Below, a breathtaking turquoise ocean stretches along a curved sandy coastline with white waves crashing against the shore. Colorful houses, utility poles, lush greenery, distant mountains, and enormous fluffy clouds fill the landscape. Strong summer sunlight, vivid blue sky, detailed hand-painted anime aesthetic, subtle wind moving her hair and clothes, realistic skateboard motion, smooth camera movement, atmospheric depth, highly detailed background, adventurous peaceful travel mood, cinematic composition, 9:16 vertical, seamless natural motion.

Duration: 15 seconds, Aspect Ratio: 16:9, Frame Rate: 24 fps. Lens: 35mm & 85mm anamorphic cinema lenses, dynamic handheld camera, Steadicam tracking, FPV chase shots, drone pullback, realistic IMAX blockbuster cinematography. Hollywood spy thriller with grounded realism, practical stunts, authentic body physics, premium cinematic lighting, Kodak Vision3 film color science, subtle film grain, natural motion blur. Mission: a legal diplomatic courier handoff — no robbery, no criminals, no danger, no fighting, no gunfire. Tension comes entirely from speed, timing and practical stunt execution. Main character: Agent Sana, a 24-year-old Indonesian woman in a black tactical suit, sprinting rooftops, performing parkour, riding a jet-ski across Marina Bay, leaping onto a moving yacht, and catching a sealed diplomatic case mid-air as twilight falls over the Singapore skyline.

Create a 15-second photorealistic skincare video featuring a young Korean woman in a bright, elegant white room. Start with an extreme close-up of her natural face as she gently touches her cheek with her fingertip, showing realistic skin texture and soft daylight. Then show a clear skincare bottle placed on a white marble table as her hand slowly reaches toward it. Continue with her applying skincare gently to her face using both hands, keeping her facial features and appearance consistent. Show her closing her eyes peacefully while softly massaging both cheeks with her fingertips. Finish with a wider shot of her wearing a simple white dress standing beside a large window, while the sheer white curtains move naturally in the sunlight. Keep the movements smooth and realistic, with natural hands, realistic skin, soft cinematic lighting, clean luxury atmosphere, gentle camera motion, and no distortions or artificial-looking details.

Cinematic commercial wide shot, a determined young woman with vibrant red hair surfing on a powerful, perfectly barrel-shaped blue wave. She is riding a classic vintage-style longboard with bold orange and blue racing stripes. Photorealistic, 8k, professional color grading, GoPro-style dynamic tracking, crisp water spray, intense focus on the surfer's expression, highly detailed skin texture and hair motion, bright natural sunlit ocean background.

A seamless traditional Chinese ink-wash watercolor animation begins with deep blue ocean waves transforming into misty mountains with a pagoda and stone stairs. Crimson ink clouds sweep across the scene, transitioning to a calm river with a small boat and an autumn-red tree. The red foliage transforms into delicate pink cherry blossoms, with petals drifting around a lone bonsai-like tree on a tiny island. Finally, a glowing full moon rises behind distant mountains, casting a golden reflection across the tranquil water as the scene fades into a peaceful night. Atmospheric, poetic, fluid transitions, elegant Chinese painting aesthetic, soft watercolor textures.

A silver-haired battle mage with glowing amber eyes, a curvy athletic silhouette and ornate white-and-gold combat robes stands on the surface of a frozen lake while an endless undead cavalry army charges beneath a solar eclipse, she raises one hand and hundreds of golden runic circles unfold across the sky, firing crystalline spears that impale the first ranks while she glides backward across the ice, bends around incoming arrows and creates floating symbols beneath her feet to accelerate above the battlefield; a gigantic skeletal dragon suddenly erupts from beneath the lake, shattering kilometers of ice and throwing her into the air, the creature opens its jaws and unleashes a torrent of spectral fire, forcing her to spin through the blast, redirect fragments of ice into shields and launch herself toward the dragon’s skull while thousands of undead soldiers climb its bones; she lands between the horns, tears open a massive circular sigil above the clouds and pulls down a radiant spear larger than a cathedral as the dragon rises vertically toward the eclipse; high-end epic fantasy anime, breathtaking spell sakuga, graceful but ferocious movement, fast aerial camera orbit, extreme close-ups of glowing pupils and trembling fingers, huge scale contrasts, dynamic camera rolls, highly detailed cel-shaded character animation blended with massive creature CGI, icy cyan ambient light contrasted with molten gold magic, snow, luminous mist, shattered crystals and white lightning, transcendent supernatural atmosphere, ending with the mage hurling the colossal spear through the dragon and directly into the eclipse, creating a sun-bright explosion that vaporizes the undead army and restores golden daylight across the frozen world.

Created a cinematic fashion transformation video featuring a beautiful young woman walking through elegant Parisian streets. She begins in a clean white summer dress, walking naturally along a stylish city sidewalk surrounded by classic architecture, cafés, shops, and pedestrians. The camera smoothly follows her with realistic cinematic movement and shallow depth of field. As she passes a storefront, glowing red light trails swirl around her body, creating a magical fashion-transition effect. Her outfit transforms seamlessly from white into a sophisticated red sleeveless dress. Continue with dynamic street-level shots as she confidently walks through a busy Paris intersection. Finish with a beautiful close-up of her in the red dress, gently holding and eating an ice cream while looking naturally toward the camera. Photorealistic details, elegant fashion-film aesthetic, natural daylight, smooth transitions, realistic skin texture, cinematic lens, subtle background motion, premium commercial look.

SUBJECTS: Subject 1: Lean kung fu chef with short, sharp-cut hair and defined jawline. Wears a modernized Chinese chef outfit fused with martial arts attire: fitted sleeveless upper garment with mandarin collar, dark matte fabric with subtle sheen; forearms wrapped with cloth bands for grip; loose tapered pants allowing wide stances; soft-soled shoes for silent footwork. Limbs slightly exaggerated in length; wrists highly flexible, elbows explosive. Movements follow clear martial rhythm (pause → burst → lock), with grounded footwork and fast pivots. ENVIRONMENT: Traditional Chinese open-fire stove setup; iron wok fixed on stove; reflective metal counter; blue-and-white porcelain bowl placed in foreground center. Warm overhead light combined with intense dynamic firelight; light oil smoke and visible heat distortion. MOOD: High tension, aggressive, but controlled and precise; performance feels intentional and elegant rather than chaotic. TIMELINE: 0:00-0:02: Extreme close-up, wide-angle POV. The chef stands on the ground behind the counter (counter always between camera and chef), steps in, compresses posture, then snaps his head up to lock eyes with camera. Both hands grip dough—he stretches it in one clean pull, folds once, then pulls again. The dough transitions from a single mass into a small number of even strands. 0:02-0:05: Cut. Slight handheld motion. The chef keeps full control of the noodle bundle in both hands, stretching and aligning the strands into clean, parallel lines through fold → align → stretch cycles. Around 8–12 thin strands extend in smooth arcs, passing close to the lens in clean, readable motion. He finishes the pull and places the aligned noodle bundle neatly onto the counter in front of him. 0:05-0:07: Move (slight recoil then stabilize). The chef lowers into a sliding step behind the counter. One palm sweeps across the surface—shrimp and greens lift and travel in a controlled arc into the wok. The wok remains on the stove; the chef grips only the handle. Any stray ingredient is clearly caught and redirected into the wok. 0:07-0:10: Continuous shot. The chef controls the wok only through handle movement and qi force—no hands enter the wok. He lifts, tilts, and snaps the wok using wrist power; ingredients rise, rotate, and fall back into the wok. His elbow strikes the stove edge—sparks burst. He compresses the wok into the flame, then reverses to pull the flame upward into a second controlled flare. 0:10-0:12: Match move tracking. The chef pivots while holding the wok handle. With the other hand, he picks up the same noodle bundle from the counter and feeds it directly into the wok in one controlled motion. He immediately resumes tossing using the wok—three clean toss cycles (fast → faster → stop). Shrimp, greens, and noodles integrate visibly; sauce coats evenly. 0:12-0:15: Cut to stabilized POV. Sudden full stop. The chef tilts the wok and slides the finished dish into the porcelain bowl—visible: evenly coated noodles, plump shrimp, glossy greens. He lifts and presents the bowl directly toward the camera until it fills the frame. A finger taps the rim—subtle vibration. Steam rises rapidly, expanding until it fully covers the lens for a clean fade-out.

CONTENT ADVISORY: Family friendly Pixar superhero origin story. Stylized cartoon action only. Safe for all audiences. Similar to The Incredibles and Spider-Man Into the Spider-Verse. This storyboard has 10 numbered panels. Animate each panel as a separate video clip in sequence. Elements On — include realistic ambient sounds for each panel. Panel 1: ZANE walks down rainy city street, camera slowly pushes in from behind, rain falling softly, city sounds — traffic, distant music, wet footsteps on pavement, warm orange city glow reflecting in puddles, completely ordinary peaceful moment. 3 second hold. Eye level wide shot slow dolly in. Sound: rain, city traffic, footsteps. Panel 2: Camera locks as storm clouds spiral overhead impossibly fast, green purple lightning crackling between clouds, ZANE looks up slowly jaw dropping, crowd begins running in panic around him, wind picking up dramatically, ZANE completely still fascinated. 3 second hold. Low angle looking up. Sound: thunder building, wind howling, crowd panic. Panel 3: Massive lightning bolt strikes ZANE, camera freeze frame at impact, electric cocoon wraps entire body, every raindrop frozen mid-air, city goes dark from power surge, shockwave ripples outward from impact point, complete silence for 1 second then massive thunderclap. Extreme wide shot maximum VFX slow motion. Sound: deafening thunderclap, electrical crackling, city power cutting out. Panel 4: ZANE on hands and knees, smoke rising from hoodie, looks at own hands crackling with blue electricity, rain hissing on glowing skin, eyes wide with shock and wonder. Extremely slow push in toward crackling hands. Sound: electricity crackling, rain hissing on hot skin, ZANE breathing heavily. Panel 5: Electricity flows across entire body like second skin, eyes glow solid blue, rain evaporating before touching him, dry circle forming around him on wet pavement, he raises one hand slowly watching lightning dance on fingers. Static locked shot 3 seconds. Sound: continuous electric hum, rain evaporating sizzle, wind stopping around him. Panel 6: Accidental sneeze triggers massive shockwave explosion outward, bicycle launches into air, trash cans fly backward, streetlights explode in sparks, car alarms trigger everywhere, ZANE horrified hands over mouth. Wide shot shockwave radiating outward. Sound: massive boom, car alarms, shattering glass, objects crashing, ZANE yelping in surprise. Panel 7: ZANE sprints at full speed, electric trail burning behind him, runs up building wall three steps then falls back confused, cartoon shocked expression mid-air. Dynamic tracking shot maximum speed. Sound: electric whoosh, rapid footsteps, wall impact, ZANE surprised yell. Panel 8: ZANE floating above city, electricity forming energy wings, legs cycling in panic, looks down at tiny city far below, panic and excitement simultaneously on face. Low angle looking up at floating ZANE. Sound: electric energy hum, wind at height, ZANE panicked laughing. Panel 9: ZANE dives at full speed catches balloon, lands in hero three-point stance, shockwave from landing, looks up at little girl with biggest gap-tooth smile, hands her balloon, electricity still softly crackling. Medium wide shot warm golden light. Sound: whoosh of dive, heroic landing impact, little girl giggling, soft electric hum. Panel 10: ZANE stands on rooftop at sunrise, city glowing below, electricity calm and controlled at fingertips, wind catching torn hoodie, gap-tooth smile at horizon, most epic moment. Slow camera pull back from close-up to wide reveal. 5 second hold. Sound: gentle electric hum, wind, birds waking up, distant city waking, triumphant subtle music swell. Elements On — include full ambient soundscape for every panel. Subject stays in frame, consistent character, no face morphing, Pixar 3D animation style, exaggerated cartoon physics, smooth motion, no jump cuts, bold saturated colors, electric blue VFX throughout, 24fps, cinematic color grade, 4K resolution. Style reference: The Incredibles, Spider-Man Into the Spider-Verse, Big Hero 6.

Environment: An ancient Chinese mountain palace suspended high above a sea of clouds during a violent supernatural night, with a vast circular stone courtyard surrounded by towering pagodas, broken ceremonial pillars, carved dragon statues, hanging lanterns, distant mountain peaks, and enormous waterfalls disappearing into the mist below. The battlefield itself is physically divided by the queens' elemental presence, with glowing cracks and scorched stone spreading beneath the Fire Queen while frost, crystalline formations, frozen mist, and thin sheets of ice spread beneath the Ice Queen. Visual Style: Premium realistic 3D Wuxia and Xianxia fantasy animation, sophisticated Chinese fantasy character design, highly detailed skin, ornate embroidered costumes, realistic silk and fabric simulation, flowing hair physics, elegant martial-arts choreography, supernatural Qinggong movement, elemental particle simulation, cinematic volumetric lighting, realistic fire illumination, translucent ice refraction, atmospheric clouds, sparks, frost particles, shattered stone, restrained motion blur, and high-end feature-film 3D rendering. Fire Queen: A powerful East Asian warrior queen with long flowing black hair streaked subtly with crimson, an elaborate dark-red and black royal Wuxia battle dress with layered silk, lightweight armor, intricate gold embroidery, a phoenix-inspired crown, red gemstone ornaments, and a long flowing cape. She controls intense crimson-orange fire through martial arts movements and carries a slender Chinese jian sword whose blade becomes surrounded by controlled flame during combat. Her personality is aggressive, fearless, precise, and regal rather than wild. Ice Queen: A powerful East Asian warrior queen with extremely long silver-white hair, a pale blue and silver royal Wuxia battle dress, translucent layered fabrics, delicate silver armor, crystalline ornaments, an elegant frost crown, and flowing sleeves that react naturally to her movement. She controls pale-blue ice, freezing mist, and crystalline energy through graceful martial arts techniques and carries a translucent ice jian formed from supernatural frost. Her personality is calm, calculating, elegant, and equally dangerous. Combat Language: The fight must combine authentic Wuxia-inspired sword choreography with supernatural Xianxia movement. Both queens use rapid footwork, spinning evasions, sword parries, flowing sleeve movement, controlled aerial Qinggong leaps, wall and pillar rebounds, midair direction changes, and elemental techniques integrated directly into physical attacks. They should feel equally skilled, with neither queen simply standing still and throwing magical projectiles. Camera Language: Use aggressive but readable action coverage with sweeping establishing shots, low-angle tracking, fast lateral movement, close sword-level perspectives, controlled 180-degree orbits during clashes, overhead battlefield views, brief extreme close-ups before major attacks, aerial tracking during Qinggong movement, and dynamic push-through shots that travel between fire and ice effects. Maintain screen direction and battlefield geography despite the speed of the choreography. Elemental Physics: Fire must illuminate nearby skin, clothing, stone, smoke, and particles naturally while generating heat distortion and sparks. Ice must physically grow across existing surfaces, produce frost condensation, refract surrounding light, crack under impact, and break into individually simulated fragments. When fire and ice collide, generate steam, pressure waves, condensation, shattered ice, sparks, and environmental reactions rather than generic glowing energy. Audio Design: Epic Chinese fantasy battle score using powerful percussion, deep drums, strings, guzheng accents, and restrained orchestral elements, combined with sword clashes, silk movement, footsteps, rushing air, flame bursts, crackling fire, spreading frost, ice fractures, stone impacts, magical resonance, breathing, and environmental wind. No dialogue is necessary. Negative Guidance: No modern clothing, no guns, no western medieval armor, no superhero poses, no static spell casting, no repetitive sword swings, no cartoon physics, no exaggerated anime expressions, no duplicated weapons, no extra limbs, no changing costumes, no inconsistent elemental colors, no disappearing swords, no weightless characters, no instant teleportation, no random explosions, no excessive camera shake obscuring choreography. [00:00-00:04] FIRE AND ICE: Begin with an enormous aerial shot descending through storm clouds toward the ancient mountain palace, revealing the Fire Queen and Ice Queen standing approximately twenty meters apart on opposite sides of the circular courtyard. The camera rapidly descends toward stone level while fire begins curling around the Fire Queen's sword and frost spreads outward beneath the Ice Queen's feet, transforming opposite halves of the courtyard into scorched stone and crystalline ice. Both slowly raise their eyes toward one another as their hair, robes, sleeves, and capes move violently in the mountain wind, then simultaneously lower into elegant combat stances as the camera settles between them. [00:04-00:08] FIRST CLASH: Without hesitation, the Fire Queen launches forward using explosive Qinggong movement, her foot striking the stone once before she glides several meters above the courtyard with a fiery trail following her sword. The Ice Queen slides backward across newly formed frost, rotates gracefully beneath the incoming flaming blade, and raises her translucent jian at the final instant. Track directly beside both women as their swords collide, producing a violent burst of sparks, ice fragments, steam, and reflected orange-blue light across their faces. They exchange several extremely fast but readable strikes while moving laterally across the courtyard, with every block redirecting the next attack rather than resetting their positions. [00:08-00:12] INTO THE AIR: The Ice Queen catches the Fire Queen's blade against her own sword, twists downward, then drives one palm toward the ground, causing a massive crystalline ice formation to erupt beneath them. Both queens launch upward before the spikes reach them. Follow from a dramatic low angle as they rise between floating frost particles and burning embers, exchanging sword strikes while airborne. The Fire Queen kicks away from a stone pillar, spins horizontally through the air, and sends a crescent of flame toward her opponent, while the Ice Queen rotates around it, freezes the surrounding moisture into a curved ice shield, then shatters that same shield forward into hundreds of controlled crystalline fragments. [00:12-00:16] ELEMENTAL COUNTERATTACK: Track tightly behind the Fire Queen as she dives toward the courtyard with the ice fragments pursuing her through the air. She twists during descent and sweeps her flaming sword in a complete circular motion, generating a spiraling wall of fire that melts the approaching fragments into explosive clouds of steam. She lands on one knee and immediately slides across scorched stone while the Ice Queen descends directly ahead of her. Transition into an extremely close sword-level tracking shot as they enter another rapid exchange, blades striking above shoulders, beside faces, and near flowing sleeves while both continuously reposition through elegant spins, evasions, and controlled footwork. [00:16-00:20] THE QUEENS UNLEASH: A powerful simultaneous sword clash throws both queens backward across opposite sides of the courtyard. Use a high overhead shot as the Fire Queen drags her sword through the stone during her slide, leaving a glowing molten arc, while the Ice Queen stabilizes herself by driving her blade downward and instantly freezing the ground around her. Both look toward each other and realize ordinary techniques are not enough. The Fire Queen raises her sword as enormous phoenix-shaped streams of flame spiral upward around her, while the Ice Queen performs a controlled circular sword movement that draws surrounding mist into a gigantic translucent frost-dragon formation. The courtyard trembles as fire and ice energy rapidly intensify without breaking either queen's physical connection to the environment. [00:20-00:23] FINAL CHARGE: Cut between extreme close-ups of their eyes before both queens launch simultaneously from opposite ends of the courtyard. Track laterally in a dramatic wide shot as the Fire Queen races forward surrounded by the enormous fiery phoenix while the Ice Queen advances inside the spiraling frost dragon. Their feet touch the ground only briefly between supernatural leaps, and their swords remain clearly visible at the center of each elemental formation. The camera accelerates alongside them before suddenly swinging into a frontal perspective as they leap toward each other for one final midair strike. [00:23-00:25] COLLISION: Enter brief controlled slow motion during the final meter as the two queens rotate their bodies and bring their swords together directly beneath the moon. The blades collide first, followed immediately by the phoenix and frost dragon crashing together around them, creating a massive spherical eruption of fire, ice, steam, sparks, and crystalline fragments that expands across the courtyard while physically cracking the stone beneath the impact. Instead of revealing a winner, push the camera directly through the expanding steam until both queens become silhouettes suspended on opposite sides of the elemental collision. Through the mist, their glowing red and icy-blue eyes remain visible as both prepare to attack again. Hard cut to black before the next strike. The sequence must feel like one continuous 3D Wuxia/Xianxia duel between two legendary martial artists, not two characters standing at opposite sides of the frame throwing elemental projectiles. Fire and ice enhance their martial arts rather than replacing physical combat. Maintain a clear combat progression of confrontation → first sword clash → aerial Qinggong exchange → elemental counterattack → close-range sword combat → ultimate techniques → simultaneous final collision. Both queens must remain equally powerful. Every major attack receives an intelligent counterattack so the choreography feels like a duel between masters. The Fire Queen should favor explosive forward pressure, aggressive sword combinations, rapid rotations, and powerful flame-enhanced strikes, while the Ice Queen should favor precise defensive movement, redirection, elegant evasions, environmental control, and calculated frost counters. Their dresses, long hair, sleeves, jewelry, crowns, and capes must respond continuously to acceleration, rotation, gravity, wind, landing forces, and magical shockwaves. Avoid clothing clipping through bodies or weapons. Maintain strict elemental separation. The Fire Queen always generates crimson, orange, and golden flame with sparks and heat distortion. The Ice Queen always generates pale blue, silver-white frost, translucent crystalline ice, snow particles, and freezing mist. Every environmental transformation must originate physically from an elemental action. Fire scorches existing stone and creates glowing cracks, ice spreads progressively across existing surfaces, crystal formations grow outward from physical contact points, melted ice creates steam, and large collisions disturb surrounding clouds, lanterns, debris, fabric, dust, and architectural elements. Keep the final battle unresolved. Neither queen dies, disappears, becomes injured, or clearly wins during the 30seconds. The final fire-and-ice collision should function as a powerful continuation hook for the next part of the duel.

FORMAT: 15s / 145 BPM / 15 SHOTS / beat-synced routine SUBJECT: @[image1] < ATTACH YOUR IMAGE. WARDROBE: Sleep tee and lounge shorts at home. Tailored jacket, fitted top, trousers, and lace-up shoes outside. ENVIRONMENT: Tiny apartment, bright fridge glow, rain-dusted hallway, chrome metro, clean office, then a bedroom in cool window light. Everything feels glossy and lived-in. MOOD: Late-for-work panic, clipped momentum, breathless urgency, then an exhausted exhale. MUSIC: Fast percussive electro-pop COLOR LOGIC: Hyperreal Pop Look STYLE: Ultra-Realistic. LOGIC RULE: Keep logical consistency in wardrobe, props, locations, and action continuity across all shots. SHOT 1: ECU, 85mm push-in / 06:50 on the phone screen as it shakes on rumpled sheets. / SFX: alarm, sheet rustle. SHOT 2: WS, 35mm handheld jolt / Rhythmic cut into her jolting upright through side light, throwing the blanket aside, and planting her feet on the floor in one rushed motion, still in a soft sleep tee and lounge shorts. / SFX: mattress bounce, blanket whip, sharp breath. SHOT 3: MCU, 50mm slide / Cut on action into face wash at the sink, droplets catching the top light. / SFX: faucet rush, water slap. SHOT 4: Insert shot, 85mm rack focus / Match cut into the toothbrush held at a natural forward brushing angle against the front teeth, hand relaxed and upright, mint foam and mirror eye. / SFX: bristle scrape, sink drip. SHOT 5: Interior fridge view, 24mm wide / Object pass into the camera inside the fridge looking out as the door snaps open and her hand darts in, blue fridge light framing a hurried grab for breakfast ingredients. / SFX: fridge hum, bottle clink, shelf rattle. SHOT 6: Insert shot, 50mm handheld / Rhythmic cut into eggs and toast hitting the pan under warm practical light. / SFX: butter sizzle, chop tap. SHOT 7: MCU, centered 50mm push-in / Match cut into one rushed bite, a quick clock glance, and an immediate rise from the chair. / SFX: crunch, ceramic clink, chair scrape. SHOT 8: Bird's-eye insert, 35mm overhead / Cut on action into striped socks snapping on. / SFX: fabric stretch, heel tap. SHOT 9: MS, 35mm pivot / Camera wipe into a rushed outfit change as the sleep tee disappears under a fitted top and tailored jacket, then her tote, keys, and transit card get scooped up in one messy grab. / SFX: fabric whip, key jingle, zipper pull, bag rustle. SHOT 10: Insert shot, 50mm overhead / Match cut into lace-up shoes slamming on as the laces yank tight in one impatient pull. / SFX: sole thump, lace tug, short breath. SHOT 11: WS, 24mm parallax / Whip pan transition into her, now in the tailored outside outfit, rushing through the apartment door into corridor light without breaking stride. / SFX: latch click, rapid footsteps, hallway air. SHOT 12: MS to CU, 35mm glide into 85mm push-in / Sound bridge into the metro car interior only as she grips the pole, shifts with the carriage sway, checks the passing station lights, and snaps a tense glance toward the closing doors, reflected chrome streaking around her and the city smearing outside the window. / SFX: rail clatter, carriage screech, door warning chime, tight breath. SHOT 13: Insert to MCU, 50mm snap zoom / Smash cut to the office entrance as her access card hits the reader, the glass door unlocks, and she slips through fast before the chair roll and laptop open. / SFX: badge beep, door click, laptop chime. SHOT 14: OTS, 35mm handheld / Rhythmic cut into fingers racing across keys, chat windows blinking, coffee by the trackpad, and notifications stacking faster than she clears them. / SFX: keyboard burst, notification ticks, mouse click. SHOT 15: WS, 50mm pull-out / L-cut with a match from laptop close to apartment re-entry as the jacket drops, work clothes peel away, and she changes back into sleepwear before collapsing into bed in the opening frame shape. / SFX: door shut, bag drop, fabric rustle, blanket rustle, room tone.

A cinematic luxury fashion commercial featuring an elegant East Asian woman in black patent leather ankle-strap high heels, walking confidently through glossy studio floors, a bright luxury corridor, a nighttime city street, and a modern marble lobby. Include macro close-ups of the shoes’ geometric texture and liquid-like reflections, followed by a warm beige studio product shot displaying black and deep burgundy variants on a pedestal, with glowing text: “WALK YOUR MOMENT.” Ultra-realistic, cinematic lighting, sharp reflections, shallow depth of field, premium fashion editorial aesthetic, 8K detail.

Use this as your 20-second professional cinematic drone text-to-video prompt: Create an ultra-photorealistic, cinematic 20-second professional FPV/cinema-drone shot over Paris, France, centered around the Eiffel Tower and the surrounding Seine riverfront, captured during golden hour just before sunset. The entire sequence must feel like footage captured by an elite professional aerial cinematography team using a high-end cinema drone with a stabilized full-frame camera. The movement must be physically believable, elegant, fluid, precise, and continuous. ONE UNBROKEN DRONE SHOT. NO CUTS. 16:9 cinematic widescreen. Ultra-realistic Paris architecture, physically accurate Eiffel Tower proportions, realistic traffic, pedestrians, boats, trees, reflections, atmospheric haze, natural sunlight, realistic shadows, and authentic city scale. Do not make Paris look like a 3D render, video game, miniature model, or artificial environment. 0:00–0:02 Begin extremely low over the surface of the Seine River, approximately 1–2 meters above the water. The camera flies forward rapidly but smoothly, almost skimming the river. The Eiffel Tower is visible far ahead, partially framed between the riverbanks and historic Parisian buildings. The water underneath the drone contains realistic moving ripples and fragmented golden reflections from the late-afternoon sun. A sightseeing boat is visible farther ahead moving slowly along the Seine. The camera has a slight forward-facing downward angle so both the water surface and distant skyline remain visible. Natural cinematic motion blur. 0:02–0:04 The drone gently accelerates toward the sightseeing boat. It passes slightly to the left side of the boat while maintaining a safe, realistic distance. Tourists are visible as tiny natural human figures on the upper deck. The Eiffel Tower gradually becomes larger in the background. The drone begins a very subtle climb while continuing forward. Sunlight catches the edges of the surrounding Haussmann-style buildings. 0:04–0:06 As the drone clears the boat, it begins a smooth ascending curve toward the right bank of the Seine. Camera orientation slowly tilts upward. The Eiffel Tower now becomes the dominant visual anchor. The drone rises from approximately river level to around 15–20 meters above the water. A bridge approaches ahead. Cars and pedestrians move naturally across the bridge. 0:06–0:08 The drone performs a precise cinematic climb over the bridge. Fly only several meters above the bridge architecture while maintaining believable clearance. As the drone crosses the bridge, the camera gently rolls approximately 5 degrees left, creating subtle dynamic energy without looking like an aggressive FPV stunt. The Eiffel Tower continues growing dramatically in frame. The Seine stretches behind and beneath the drone. 0:08–0:10 After clearing the bridge, increase altitude more aggressively but smoothly. The drone begins a sweeping arc-left movement around the Eiffel Tower. Do not fly directly toward the structure. Instead, curve around it, creating strong parallax between: foreground trees, the Champ de Mars, Paris rooftops, and the Eiffel Tower. Camera stays locked toward the tower while the drone's physical flight path moves sideways. 0:10–0:12 Continue the orbital move. The Eiffel Tower now fills approximately one-third of the frame vertically. The drone climbs alongside the lower portion of the tower at a realistic and safe distance. The Seine becomes visible behind the structure. Golden sunlight travels across the metal latticework, creating realistic highlights and shadows. The camera makes a very slow upward tilt as the drone ascends. 0:12–0:14 The drone passes around the western side of the Eiffel Tower. Create dramatic parallax as sections of the iron structure temporarily move across the foreground. Do not fly through the tower. The camera glides beside it. Reveal the enormous scale of the structure with tiny pedestrians and vehicles far below. Paris spreads outward into the distance with realistic atmospheric perspective. 0:14–0:16 The drone continues climbing beyond the tower's midsection. Begin gradually widening the orbital radius. The camera starts revealing more of the Paris skyline. The Eiffel Tower shifts from the center toward the left third of the frame. The Seine forms a natural leading line through the city. The sky should contain subtle thin clouds illuminated by warm sunlight. No exaggerated fantasy clouds. 0:16–0:18 Transition into a powerful cinematic pull-back and climb. The drone now flies backward while gaining altitude. The Eiffel Tower becomes fully visible from base to top. The surrounding Champ de Mars, Seine River, bridges, rooftops, trees, and distant Paris neighborhoods expand into view. The camera remains perfectly stabilized on the Eiffel Tower. Natural aerial perspective and increasing atmospheric haze appear with distance. 0:18–0:20 Finish with an epic wide establishing view of Paris. Continue slowly pulling backward and upward. Place the Eiffel Tower prominently in the center-left of the composition with the Seine curving through the frame. The golden sun sits low near the horizon, producing a subtle warm backlight and restrained cinematic lens flare. The final moment should feel massive, elegant, premium and breathtaking — like the closing aerial shot of a high-budget travel film. Movement slows slightly during the final second so the shot finishes gracefully rather than stopping abruptly. CAMERA + DRONE BEHAVIOR Professional cinema drone. Full-frame cinema sensor. 24mm wide-angle aerial lens. 24 fps. 180-degree shutter. Realistic motion blur. 6K cinematic source quality. High dynamic range. Natural highlight rolloff. Subtle cinematic contrast. Precise 3-axis gimbal stabilization. Smooth controlled acceleration and deceleration. Continuous forward momentum. Realistic drone inertia. No impossible instant direction changes. No teleportation. No sudden altitude jumps. No jerky camera movements. No random yawing. No micro-jitters. No aggressive fisheye distortion. REALISM The Eiffel Tower must retain correct architecture and proportions throughout the entire shot. Paris must remain geographically and architecturally believable. Realistic cars and buses. Realistic boats moving through the Seine. Tiny natural pedestrian movement. Individual trees reacting subtly to wind. Physically correct river reflections. Realistic glass reflections. Realistic metallic response on the Eiffel Tower. Natural atmospheric haze. True-to-life city density. Real-world human scale. No duplicated buildings. No warped roads. No melting architecture. No floating cars. No disappearing objects. No changing Eiffel Tower geometry. No AI morphing. No surreal physics. No fake miniature effect. No overly saturated orange-and-teal grading. The final result should look indistinguishable from real professional drone footage filmed over Paris for a luxury tourism commercial or feature film establishing sequence.

Cinematic luxury pastry video showing a chef precisely slicing fresh strawberries, walking through a sleek modern kitchen at sunset, piping whipped cream onto a dark chocolate cake, removing fresh pastries from the oven, decorating cake layers with cream and strawberries, and pouring glossy dark chocolate ganache over the finished multi-layer cake. End with the female pastry chef presenting the elegant chocolate strawberry cake on a white plate, warm golden lighting, shallow depth of field, photorealistic high-end food commercial, smooth camera movement, 8K detail.

Create a luxurious 15-second cinematic TV commercial in vertical 9:16 format for the Rolex Mini Twotone watch. Smooth elegant camera movements, soft golden lighting, high-end fashion film aesthetic, ultra-realistic, premium quality. 0-2 sec: Soft morning light fills a modern high-rise apartment. An elegant young woman with dark hair in a messy bun, wearing a cream silk blouse, sits by a large window overlooking a city skyline. She gently touches her neck and looks out the window while wearing the Rolex Mini Twotone on her wrist. Text overlay: “TIMELESS BEAUTY”. 2-4 sec: Extreme close-up of the Rolex Mini Twotone watch face. White dial, gold fluted bezel, gold hour markers, date window showing 28. Soft reflections glide across the crystal. Text: “CRAFTED FOR PERFECTION”. 4-6 sec: Quick elegant macro montage — close-up of the dial, the gold crown, and the two-tone Jubilee bracelet links interlocking with precision. Soft light catches every detail of the craftsmanship. Text: “EVERY DETAIL MATTERS”. 6-8 sec: The full watch rests on a dark reflective surface. Slow elegant rotation showing the two-tone gold and steel bracelet shining brilliantly from every angle. Text: “MADE TO SHINE Forever.” 8-10 sec: Close-up of the woman’s hands holding a white coffee cup. The Rolex Mini Twotone is clearly visible on her wrist. Soft natural light, elegant and sophisticated mood. Text: “BEYOND TIME A STATEMENT”. 10-12 sec: The watch lies on luxurious golden satin fabric. Soft light glides across the dial and bracelet. Text: “FOR EVERY MOMENT”. 12-14 sec: Clean black background. Gold Rolex crown logo appears, followed by elegant gold text: “ROLEX MINI TWOTONE” and “Timeless elegance. Crafted for you.” 14-15 sec: Final end frame on black background with floating golden particles. Large gold Rolex crown logo and text: “ROLEX – LIVE TIME. LOVE ROLEX.” Overall style: Luxury watch commercial, soft cinematic lighting, slow elegant camera moves, high detail, photorealistic, premium and sophisticated atmosphere.

Create a 30-second, 9:16 photoreal cinematic travel-fashion film, 24fps, following the exact same woman from the supplied character reference. Preserve her face, freckles, dark hair, skin tone, body proportions and natural beauty perfectly throughout. She must look like a real person filmed on location—real skin pores, individual hair strands, natural expressions and realistic anatomy. She always wears white wired earphones. No dialogue. STORY — “CATCH ME IF YOU CAN” 0–4s — CITY HOOK Rain-wet city street, cool cinematic daylight. 24mm intimate close-up. She stands inches from camera, gives a playful knowing smile, then suddenly turns and runs. Camera immediately chases her handheld. A red city bus crosses extremely close and completely covers frame → perfect practical wipe transition. 4–8s — OLD MARKET Same running stride continues seamlessly into a beautiful atmospheric old-town market. Cream jacket, olive loose trousers. Real pedestrians, bicycles, textured stone, warm shops. She looks back laughing while running, then jumps across a puddle. Camera dives toward the splash → water fills frame. 8–12s — MOUNTAIN REVEAL Splash match-cuts into the reflective floor of a glass elevator. She enters; doors close, then immediately reopen onto a breathtaking enormous mountain valley above clouds. She smiles back at camera and runs outside. Cool mist, huge atmospheric depth, realistic wind. 12–16s — COAST Match her exact running stride onto a spectacular golden-hour coastal road. Deep-red track jacket, denim, ocean and cliffside architecture behind. Camera tracks beside her. She spins naturally, laughs, removes her red jacket while moving and throws it directly into lens → red fabric completely covers frame. 16–20s — NEON NIGHT Fabric clears into a rain-soaked neon city at night. Black leather jacket. Deep cinematic blacks, cyan reflections, controlled red practical lights, steam and natural crowds. She confidently walks toward camera. A passing tram completely blocks frame → occlusion transition. 20–23s — ABOVE THE CLOUDS Tram windows match-cut into a mountain cable-car window. Navy jacket. She stands against the glass overlooking gigantic mist-covered peaks. Music briefly becomes quiet. Her reflection overlays the landscape. She notices camera in the reflection, smiles mischievously, then suddenly exits frame. Camera whip-pans after her. 23–26s — WE LOSE HER Whip resolves into a huge lively blue-hour plaza. Camera urgently searches through real moving crowds. She appears for a moment, disappears behind pedestrians, then vanishes completely. Music drops almost to silence. Suddenly someone taps the camera from behind. Fast whip around—she is standing behind us with her female friend, both laughing. Beat drops hard and they run away together. 26–30s — HERO ENDING Camera chases both girls across the spectacular plaza. They hold hands, run, spin and laugh naturally. A flock of pigeons lifts ahead of them. Camera catches up as they turn back and throw their arms up. At 27.8s introduce huge premium warm-ivory condensed typography: CATCH ME then: IF YOU CAN. Characters naturally overlap parts of the letters for realistic depth. No glow, gradients or cheap animation—clean theatrical movie-title design. Lead runs directly toward camera, laughing, then covers the lens with her hand. Hard cut to black exactly on the final beat. CINEMATIC LOOK Feature-film-level cinematography: 24mm chase shots, 35mm movement, 50mm portraits, natural handheld micro-movement, 180° shutter and realistic motion blur. Fine 35mm film grain, subtle highlight halation, soft cinematic bloom and expensive highlight roll-off. Color progression: cool rainy city → warm earthy market → cyan misty mountains → golden coast → deep cyan/red neon → cool mountain atmosphere → rich cinematic blue-hour finale. Keep natural warm skin throughout. TRANSITION RULE Every transition must be physically motivated: bus wipe → water splash → elevator doors → jacket wipe → tram wipe → reflection/whip → crowd reveal → hand-to-lens ending. Never visibly morph locations. No portals, liquid AI transformations, speed ramps, floating cameras or impossible movements. Cuts should be so clean viewers replay them to understand how they happened. REALISM LOCK Same exact lead identity throughout. Real skin texture, correct hands, natural running, realistic footsteps, weighted hair and clothing, earphone cable bouncing with movement, physically correct reflections and splashes. Background people move independently and never freeze or duplicate. No warped architecture, plastic skin, beauty-filter face or AI look. MUSIC / SOUND Original 120 BPM premium cinematic-electronic travel track synchronized tightly to every transition. Start with minimal bass and crisp percussion, build through the chase, open into an uplifting melodic hook at the coast, become deeper at neon night, strip down during the cable-car/crowd search, then massive satisfying beat drop at the friend reveal and strongest musical section for the final run. Layer realistic footsteps, traffic, splash, elevator ding, wind, tram rumble, cable-car hum, crowd ambience, fabric movement, pigeon wings and genuine laughter. No dialogue. No voiceover. No lyrics.

Create a 28-second ultra-cinematic surreal fashion adventure starring my female AI model. Preserve her EXACT facial identity, facial structure, hairstyle, skin tone, body proportions and recognizable appearance throughout the entire video. The film must feel like ONE continuous impossible journey, not separate AI-generated clips. Photorealistic, mysterious, premium and visually spectacular. 0–4 SEC — THE MYSTERIOUS HOTEL Begin with an extreme cinematic close-up of my model's eyes. Camera smoothly pulls backward, revealing her standing inside an impossibly long, luxurious old-European hotel corridor at night. Warm golden wall lamps illuminate hundreds of identical doors stretching into the distance. She wears an elegant flowing black evening dress with subtle jewellery. She looks toward one particular door and confidently approaches it. CAMERA: Slow dolly backward → smooth over-the-shoulder orbit as her hand reaches toward the brass handle. She opens the door. Intense white light floods through it and completely fills the lens. SEAMLESS TRANSITION THROUGH THE LIGHT. 4–9 SEC — STORMY ICELAND The camera passes through the doorway directly behind her. Without stopping her walking motion, she emerges onto a spectacular Icelandic black-sand beach. Towering dark cliffs, crashing ocean waves, mist and light rain surround her. Strong wind naturally moves her hair and black dress. CAMERA: Begin low beside her feet → rapidly rise into a cinematic tracking orbit around her. Standing completely alone on the beach is another mysterious hotel door. She reaches it and immediately opens it. Camera follows directly through. 9–14 SEC — FUTURISTIC TOKYO She steps through the same doorway directly into a futuristic Tokyo street at midnight. Her walking movement continues seamlessly. Wet streets reflect enormous neon signs, futuristic architecture and passing autonomous vehicles. Crowds naturally move around her while she confidently walks toward camera. CAMERA: 35mm anamorphic backward tracking shot → subtle handheld micro-movement → gentle push toward her face. A sleek futuristic motorcycle suddenly races extremely close across the foreground. For a fraction of a second, the motorcycle completely covers the camera. USE THE MOTORCYCLE AS THE TRANSITION. 14–19 SEC — UNDERWATER BALLROOM As the motorcycle clears the lens, she is suddenly walking through an enormous abandoned luxury ballroom deep underwater. She does NOT wear diving equipment. She walks normally while her dress and hair gently react to the surrounding water. Gigantic floor-to-ceiling windows reveal the deep ocean outside. A huge whale silently glides past the windows behind her. Blue sunlight beams penetrate through the water while thousands of tiny particles float naturally through the scene. CAMERA: Slow cinematic 180° orbit around her as she turns slightly toward the whale. Suddenly hundreds of shimmering silver fish rush directly toward and across the camera. They completely fill the frame. 19–23 SEC — GOLDEN DESERT The silver fish seamlessly transform into thousands of glowing golden particles carried by desert wind. Camera pushes through the particles. Reveal my model walking along the crest of an enormous golden sand dune during sunset. Her outfit has seamlessly transformed into an elegant flowing ivory desert outfit. HER FACE AND IDENTITY MUST REMAIN EXACTLY THE SAME. Wind dramatically moves the fabric. CAMERA: Start extremely wide → rapidly fly toward her → smooth orbit around her body. Reveal one final mysterious door standing alone at the top of the dune. She opens it. Brilliant golden-white sunlight bursts through. 23–28 SEC — ABOVE THE CLOUDS She steps through the door. Camera follows immediately. Reveal an extraordinary mirrored.