Bibliothèque de prompts vidéo IA

A cinematic K-drama-style heartbreak scene in a luxurious modern apartment at night during heavy rain: an East Asian woman in a beige trench coat enters happily carrying a gift bag, but her smile disappears when she sees her partner in a white shirt embracing another woman in a black silk dress inside the bedroom. The bag falls as she freezes in shock, followed by emotional close-ups of her tear-filled eyes and trembling face. The man looks guilty and reaches toward her, but she turns and runs out, slamming the door behind her as he desperately follows. Moody blue-and-warm lighting, realistic acting, dramatic atmosphere, 35mm cinematic lens, shallow depth of field, slow-motion emotional moments, photorealistic 4K film quality.

Create a 13-second ultra-realistic cinematic action sequence set inside a messy, atmospheric urban apartment/studio filled with books, posters, scattered furniture, old equipment and warm practical lamps. Two young women in realistic casual streetwear are engaged in an intense hand-to-hand fight. Begin with a wide establishing shot showing the entire room as the confrontation starts. One woman suddenly attacks with a long wooden object, while the other quickly blocks and dodges the attack. Build the sequence with fast, believable choreography: blocking, punches, evasive movements, close-range grappling, aggressive shoves and a powerful takedown. The fighters should move naturally with realistic weight, balance and physical impact. Clothing, hair and bodies should react naturally to every movement. Use dynamic handheld cinematic camera movement, alternating between wide shots, medium tracking shots, low-angle shots and tight close-ups during impacts. Add subtle camera shake and realistic motion blur during fast movements, but keep the characters clearly visible. The room should remain consistent throughout the sequence. Bright cool daylight streams through large windows while warm orange lamps illuminate parts of the room, creating a gritty cinematic teal-and-orange contrast. Use realistic shadows, volumetric light, dust particles and reflections on the slightly polished floor. Toward the final seconds, the fight becomes more intense. One woman loses balance and is thrown to the floor. The other remains standing in the foreground, breathing heavily and maintaining a strong defensive stance as the camera settles into a dramatic final shot. Ultra-realistic human movement, authentic fight choreography, detailed facial expressions, natural skin texture, realistic hair physics, cinematic depth of field, 35mm film look, high dynamic range, realistic motion blur, dramatic practical lighting, premium Hollywood action-film cinematography, no cartoon look, no exaggerated physics, no unnatural body deformation.

Ultra-realistic cinematic medieval battle scene, a brave young woman warrior in an elegant flowing ivory medieval dress with black fitted sleeves, standing on an ancient stone courtyard while fighting a heavily armored knight wielding a large medieval mace. Dynamic combat pose, realistic steel armor reflections, detailed fabric movement, dramatic overhead camera angle, intense action, historical European castle setting, cinematic lighting, realistic skin and hair, atmospheric depth, subtle motion blur, highly detailed textures, epic fantasy atmosphere, photorealistic, HDR, 8K, professional film still, shallow depth of field, vertical 9:16 composition.

Create a 30s, 9:16 ultra-realistic live-action cinematic film following the same young woman through an unforgettable day in San Francisco. Keep her exact identity consistent throughout and make her feel like a real person inside a feature film, never an influencer or tourist ad. Open with a classic cable car climbing a steep SF street, then flow through iconic locations using natural cinematic transitions: Lombard Street, Palace of Fine Arts, Painted Ladies, Chinatown, downtown with the Transamerica Pyramid, Embarcadero/Ferry Building, waterfront, and finally the Golden Gate Bridge emerging dramatically through coastal fog at golden hour. Keep every shot moving and visually meaningful—walking, cable-car movement, passing pedestrians, windblown hair, foreground wipes, reflections and match cuts. End on a breathtaking wide Golden Gate sunset shot with her small against the landscape. Prioritize absolute realism: natural skin pores, freckles, flyaway hair, authentic expressions, stable architecture, real pedestrians, traffic, water and physically accurate SF fog. ARRI Alexa 35 look, 24fps, Cooke-style lenses, realistic motion blur, controlled handheld/Steadicam movement and subtle film grain. Premium feature-film grade with cool marine shadows, creamy natural skin, restrained greens, warm California sunlight, rich Golden Gate orange, soft highlight roll-off and subtle halation. No HDR, oversaturation, plastic skin, warped landmarks, AI artifacts or artificial camera movement. No dialogue or narration. Use detailed location sound—cable-car bells and rails, footsteps, traffic, Chinatown ambience, streetcar rumble, gulls, bay water and strong coastal wind—with seamless J/L cuts. Add an original emotional movie score: felt piano, atmospheric textures and delicate strings, gradually building into warm orchestral strings/cello for the Golden Gate reveal. No vocals, vlog music or trailer booms. The finished video should feel like a beautifully shot scene from a real San Francisco feature film.

Create a cinematic, ultra-realistic 17-second live-action food sequence showing the complete preparation of glossy stir-fried Chinese greens in a warm, rustic home kitchen. Begin with an overhead close-up of fresh leafy greens being washed thoroughly in a large ceramic bowl filled with water. Capture realistic water movement, droplets, crisp green leaves, and natural hand movements. Transition smoothly to a wooden cutting board as the greens are arranged and chopped into neat bite-sized pieces with a sharp kitchen knife. Show detailed vegetable textures, realistic knife movement, and small pieces falling naturally onto the board. Cut to a black wok heating over a strong blue gas flame. Add sliced garlic and the chopped greens into the hot wok. Capture the sizzling oil, rising steam, subtle smoke, and realistic heat reactions as the vegetables begin to soften while maintaining their vibrant green color. Use dynamic close-ups as the greens are tossed and stirred repeatedly with a metal spatula. Show glossy oil coating the stems and leaves, garlic pieces moving naturally through the wok, and authentic cooking physics. Include a wider cinematic shot revealing the cook working in the warm, lived-in kitchen. End with a beautiful macro close-up of the finished stir-fried greens arranged neatly on a white ceramic plate, topped with golden garlic slices and surrounded by a light glossy sauce. Slowly push the camera toward the dish as steam rises gently and the fresh green texture catches the warm kitchen light. Ultra-photorealistic cinematic live-action food commercial, authentic Asian home cooking, realistic human hands, fresh leafy greens, detailed vegetable textures, natural water droplets, sharp knife movement, sizzling wok, blue gas flame, realistic steam and heat, glossy vegetables, garlic slices, physically accurate cooking physics, warm rustic kitchen lighting, wooden surfaces, macro food photography, shallow depth of field, smooth camera movement, overhead shots, close-ups, natural motion, subtle film grain, appetizing presentation, 17 seconds, vertical 9:16, no text, no logos, no watermark, no cartoon look, no plastic CGI appearance, no distorted hands, no artificial food textures.

Create a cinematic sci-fi battle sequence in a wet industrial harbor. Scene 1: close-up tracking shots of a heavily armored futuristic warrior, detailed black tactical armor, helmet and glowing blue accents. Scene 2: close-up of his armored hand activating a powerful glowing blue energy sword. Scene 3: wide shot as he walks forward across the rain-soaked dock, sword glowing beside him, cargo cranes in the background. Scene 4: several dark monstrous creatures suddenly rush toward him from the distance. Scene 5: the warrior fights them with fast, powerful sword movements, dodging and striking through the creatures. Scene 6: intense close-up of his face inside the helmet, blue reflections across his eyes. Scene 7: he launches into the air and attacks between the creatures with the energy blade. Scene 8: final wide shot as he lands and unleashes a powerful blue energy strike, water splashing dramatically around him. Photorealistic, dark cinematic sci-fi, dramatic overcast lighting, realistic rain, wet reflections, dynamic handheld camera, fast action, high detail, seamless motion, epic movie-quality VFX.

Cinematic photorealistic sci-fi action sequence, moody desaturated color grade, dramatic lighting, hyper-detailed mechanical design, motion blur for speed, 4K film quality. Scene 1: Wide low-angle tracking shot of a futuristic armored rider in black tactical exosuit on a black-gold angular sci-fi motorcycle, speeding on empty highway, overcast sky. Scene 2: Close-up transformation shot — motorcycle's rear panels mechanically unfold like wings while riding at high speed, sparks of light on metal joints. Scene 3: Low-angle hero reveal shot of a sleek black Batmobile-style supercar with scissor/wing doors opening, front LED light strip glowing. Scene 4: Rear-tracking low-angle shot of two motorcycles riding side by side on the highway, wheels blurred with speed. Scene 5: Rear pursuit shot of the black supercar driving with glowing taillights, a motorcycle catching up close behind. Scene 6: Aerial drone top-down shot of a curving highway with the car and motorcycles racing, small flying drone visible above for scale. Scene 7: Close-up action shot of the car's front wheel with sparks flying off the road surface, high-speed drift feel. Scene 8: Interior POV shot from the car's dashboard, glowing speedometer, driving fast through a dark tunnel with lights streaking past. Scene 9: Tunnel chase shot — motorcycle and car entering/exiting a concrete tunnel, wet road reflections, cinematic light contrast. Negative prompt: blurry, low quality, distorted proportions, extra limbs, deformed hands, warped motorcycle frame, flickering lights, inconsistent lighting, cartoonish, low-res textures, watermark, text, logo, oversaturated colors, daytime bright sun (unless overcast), shaky unstable camera, jerky motion, unrealistic physics, plastic look, glitch artifacts.

Create a 30-second cinematic, ultra-realistic wuxia-style video set at night in an ancient Chinese village, with traditional wooden buildings, a stone-paved street, a small arched bridge, misty mountains in the background, and many glowing red lanterns hanging along the street. A beautiful young woman in an elegant flowing red traditional Chinese Hanfu walks calmly toward the camera, with long dark hair styled traditionally and a serious, confident expression. As she moves closer, the camera slowly pushes in and follows her naturally, capturing the lantern light, fabric movement, atmospheric mist, and realistic footsteps. Around the middle of the scene, she suddenly stops and confidently draws a glowing red magical sword, holding it horizontally in front of her while her expression becomes focused and powerful. The camera moves into a dramatic close-up of her face and sword, showing realistic skin texture, detailed hair, glowing reflections, and cinematic depth of field. Several mysterious black-clothed attackers appear around her, rushing toward her from different directions, creating a tense martial-arts atmosphere. She swiftly turns and performs powerful choreographed sword movements, blocking and striking the attackers with fast but believable movements while the glowing sword leaves subtle red light trails. The attackers are knocked down onto the stone street around her, while she remains standing confidently in the center with her sword raised, surrounded by red lanterns and light mist. End with a wide cinematic shot slowly pulling back to reveal the woman standing alone among the fallen attackers, ancient village buildings and mountains behind her, maintaining consistent character appearance, realistic motion, cinematic lighting, detailed textures, dramatic atmosphere, smooth camera movement, 16:9 aspect ratio, 30 seconds, no text, no watermark.

Create a 30-second ultra-realistic cinematic aerial sequence filmed from a helicopter flying above an active volcanic crater. A woman wearing professional aviation safety gear, protective headphones, goggles, and a secure harness holds a red bucket filled with ice. Photorealistic environment, realistic helicopter movement, natural wind, atmospheric haze, detailed volcanic terrain, cinematic lighting, believable physics, 4K. No text, logos, subtitles, or watermarks. [0–5s] — HELICOPTER APPROACH The camera films from inside the open helicopter doorway as it approaches a massive active volcano. Below, a glowing lava crater pulses with intense orange-red heat. Strong wind moves the woman’s clothing and hair as she carefully leans toward the opening. [5–9s] — THE ICE The woman grips the red bucket tightly and looks down toward the crater. She slowly extends it outside the helicopter, revealing hundreds of pieces of ice inside. The camera moves closer over her shoulder, emphasizing the enormous glowing crater beneath her. [9–13s] — THE DROP She suddenly tips the bucket and releases the ice directly into the active lava pit. The camera quickly tilts downward and follows the falling ice toward the molten surface. Individual pieces catch the sunlight before disappearing into the intense orange glow. [13–18s] — LAVA REACTION The ice hits the molten lava. Violent bubbling erupts immediately as the extreme temperature difference creates a powerful burst of steam and molten material. The lava churns aggressively, producing bright splashes and rapidly expanding white vapor. [18–22s] — MASSIVE ERUPTION A huge dense white plume suddenly explodes upward from the crater, mixed with volcanic dust, vapor, and small debris. The plume expands rapidly toward the helicopter, completely dominating the frame. The camera shakes violently as the pilot pulls away. [22–26s] — CHAOTIC RETREAT The helicopter rapidly backs away from the expanding cloud. The camera struggles to maintain focus through swirling smoke and airborne particles. The volcano becomes partially obscured while the massive plume continues rising into the sky. [26–30s] — WOMAN'S REACTION Cut back inside the helicopter. The woman is partially obscured by drifting smoke, staring out of the doorway with wide eyes and a genuinely shocked expression. Wind and turbulence shake the cabin slightly. She looks toward the camera in disbelief as the scene ends on a dramatic cinematic freeze. STYLE: ultra-realistic documentary-style cinematography, photorealistic human subject, realistic volcanic geology, physically believable lava and steam interaction, natural atmospheric perspective, detailed smoke and debris, cinematic exposure, dynamic handheld camera movement, realistic helicopter vibration, dramatic natural lighting, high-detail textures, 4K HDR, intense cinematic realism. AUDIO: realistic helicopter rotor noise, strong wind, bucket movement, distant volcanic rumble, ice impacts, violent bubbling, explosive steam release, debris impacts, cabin vibration, and muffled reactions. No music and no dialogue.

Cinematic-level realistic textures, purely ancient Chinese immortal aesthetics. Centered around mature social tension, restrained cold humor, and authentic character relationships, translating the contemporary sentiment of 'all hobbies seemingly needing to turn into skills, achievements, income, and personal growth' into an ancient immortal drama with character-driven scenes. Core Principles: - No modern vocabulary. - Avoid clichéd twists like 'seemingly useless hobbies hiding绝世神功, hidden legacies, or key combat abilities.' - This cup is simply an ordinary, even slightly crooked cup throughout. - Its true role is to embody character values. References & Environment: - Strictly use @image1 and @image2 as character identity anchors. - All newly uploaded background and location reference images should be silently reorganized into a unified environmental DNA, naturally blending: - Ancient architectural language - Realistic terrain - Spatial scale - Weathered materials - Vegetation - Water bodies - Drifting mountain mist - Slow-moving clouds - Reflections - Primary light direction - Atmospheric depth - The environment must remain vivid yet narratively neutral. Character Settings: - Character A | Sword Immortal Senior Sister: - Consistently @image1, ages 25–30, East Asian female. - Oval, fair face, deep almond eyes, black hair half-tied with a white jade hairpin. - Tall, slender, wearing a white embroidered silk hanfu with translucent wide sleeves, silver waistband, jade pendant, and white cloth boots. - Holding only one silver longsword. - Character B | Junior Sister: - Consistently @image2, ages 20–25, East Asian female. - Round, lively face, black braided hair, petite frame. - Wearing a greenish-blue linen hanfu with dark belt, wooden hairpin, and black cloth shoes. - Holding only one dark steel sword. Secondary Characters: - An elder master. - A competitive fellow disciple. - Several disciples returning from a seven-day break. Segmented Structure: 1. 0–5s (wide/panoramic shot): - Disciples present their seven-day achievements (sword manuals, demon cores, rare herbs). - Junior Sister quietly places her self-made, slightly crooked ordinary clay cup on the table, creating an immediate contrast. - Master remarks dryly, "Others made breakthroughs — you made a cup?" - Junior Sister nods naturally: "Mm." 2. 5–10s (medium/Cowboy shot): - Competitive disciple picks up the cup, asking skeptically: - "Does it enhance cultivation?" → "No." - "Can it trade for spirit stones?" → "No." - Master finally asks: "Why learn this?" - Junior Sister hesitates, almost embarrassed by the simplicity: "...I wanted to." - Amidst suppressed laughter, the Sword Immortal silently retrieves the cup and pours tea — no dialogue, just subtle environmental changes. 3. 10–15s (close-up/extreme close-up): - Master challenges: "Inner sect trials are coming; you indulge her?" - Senior Sister examines the cup: "This isn’t progress," causing Junior Sister’s fleeting disappointment. - After a deceptive pause: "That’s why it’s rare. She finally did something — without proving herself." - Silence. The competitive disciple mutters: "Still useless." - Senior Sister returns the cup: "People aren’t magic tools. Not everything needs to be useful." Ending Constraints: - No applause, rewards, or sudden cup enchantments. - The cup remains ordinary. Hard Requirements: - Strict 15-second duration, 16:9 landscape. - Three continuous clear shots. - Native Mandarin dialogue, accurate lip-sync/eye contact. - Stable character appearances, subtle performances, and natural physics (ceramics, fabric, hair). - Consistent spatial audio and parallax. No subtitles.

Create a 30-second vertical 9:16 ultra-photorealistic miniature vintage car restoration time-lapse. A rusty abandoned classic car is restored by hundreds of tiny realistic adult workers inside the SAME miniature workshop. Extreme macro cinematography, shallow depth of field, warm cinematic lighting, realistic metal, paint, leather, glass, dust and tools. Every 2 seconds, show a NEW physical restoration stage: 0–2s: Inspect and dismantle rusty parts. 2–4s: Remove wheels, panels, lights and bumpers. 4–6s: Sand and remove rust. 6–8s: Weld dents and repair body panels. 8–10s: Clean and prepare the metal. 10–12s: Apply primer. 12–14s: Spray glossy deep-red paint. 14–16s: Polish the fresh paint. 16–18s: Rebuild and install engine. 18–20s: Install suspension, brakes and wheels. 20–22s: Install grille, bumpers, lights and chrome parts. 22–24s: Restore seats, dashboard and interior. 24–26s: Install windows and final details. 26–28s: Start engine, test lights and polish the car. 28–30s: Finished vintage car drives out of the workshop. Hundreds of tiny workers must remain continuously visible, performing different tasks simultaneously—carrying, lifting, sanding, welding, painting, polishing, tightening and installing. Every transformation must happen physically and step-by-step. Same car, workshop, scale and lighting throughout. No instant appearance, morphing, teleportation, floating objects, CGI, cartoon, plastic look, duplicated workers, text, logos or watermark.

Cinematic 30-second video, photorealistic, 4K, shallow depth of field. A beautiful young East Asian woman with long flowing black hair, wearing a cream off-shoulder knitted sweater, denim shorts, and white sneakers. She rides a silver city bicycle with a wicker basket full of yellow, purple and white wildflowers along a dirt path through a vast field of white daisies and rolling green hills under a bright blue sky with fluffy clouds. Hair blowing in the wind, gentle smile. Cut to her lying on her back in the grass under a tree with dappled sunlight, holding an open book, peaceful expression, eyes half-closed. Then close-up of her hands gently dipping into a clear pebble-bottomed stream. She walks away from camera pushing the bicycle along the path beside the stream. Golden hour: she sits on the grass by the river with the bicycle parked behind her, looking toward the sunset reflecting on the water. Drone shot pulls back revealing her small figure sitting beside a winding river through lush green fields and rice paddies, village houses in the distance, warm sunset light. Final shot: silhouette of the woman sitting by a calm lake watching a vivid orange sunset, sky glowing with warm colors. Mood: peaceful, nostalgic, slow-living Japanese countryside summer, dreamy and serene. Soft natural lighting, gentle camera movements, filmic color grading.

30-second photorealistic cinematic wildlife sequence. A vast mountain valley in warm morning light, with a winding river, forested slopes and enormous rocky peaks. A gigantic mother dragon and her much smaller baby dragon fly together through the landscape. They look like believable living animals, with detailed scales, natural skin texture, muscular bodies, realistic leathery wings and physically convincing flight. Photorealistic creature design and natural wildlife behavior. Absolutely no cartoon or animated appearance. 0–5 SECONDS — THE CHASE The mother dragon flies rapidly through the valley. The baby suddenly accelerates after her. The camera flies alongside them as the baby tries to catch up. The mother glances back, then playfully banks away. 5–10 SECONDS — PLAYFUL DIVE The mother dives toward the river. The baby follows. Both skim above the water, their wingbeats creating ripples and mist. The baby suddenly dives lower and splashes the surface with the tip of one wing. The mother responds with a playful banking turn. 10–15 SECONDS — CIRCLING The two dragons climb rapidly above the river. The camera circles around them as they fly in opposite directions around each other. They repeatedly cross paths in the air, turning tightly and smoothly like two enormous birds playing together. 15–20 SECONDS — COPYCAT The mother performs a slow aerial roll. The baby immediately tries to copy her. The baby completes an imperfect little roll. The mother rolls again beside it. The baby follows, this time more confidently. 20–25 SECONDS — PLAYFUL RACE The mother suddenly accelerates between two mountain peaks. The baby races after her. Camera switches to a fast rear tracking shot as both dragons weave between enormous rock formations. The baby catches up and flies directly beside its mother. 25–30 SECONDS — TOGETHER The mother and baby climb above the clouds. The mother banks gently toward the baby. The baby responds by banking toward her. They fly side by side through the golden sunlight, wings beating naturally. Final wide aerial shot: mother and baby flying together over the enormous mountain valley. REALISTIC WILDLIFE CINEMATOGRAPHY: photorealistic dragons, detailed individual scales, believable musculature, realistic wing membranes, natural animal behavior, physically plausible wing movement, realistic weight and momentum, natural sunlight, atmospheric haze, realistic water interaction, cinematic telephoto lenses, aerial wildlife photography, high-end visual effects. The mother is dramatically larger than the baby and remains clearly identifiable throughout. The baby remains small and anatomically consistent. Each dragon has exactly one head, four legs, two wings and one tail. No transformations, no morphing, no duplication, no splitting, no extra limbs, no extra wings, no anatomical changes. No cartoon, no anime, no illustration, no painterly appearance, no exaggerated expressions, no glowing effects, no magic, no horror, no aggression, no fighting, no injuries. The entire sequence feels like spectacular real wildlife footage of an extraordinary species behaving naturally and playfully.

Create a 30-second photorealistic cinematic action short on a bright summer day in a Japanese park. A young adult Japanese woman wearing a school-style uniform moves through a surreal size-changing adventure. Realistic physics, high-speed movement, seamless scale transitions, dynamic camera work, natural sunlight, detailed environments, cinematic 4K. No text, subtitles, logos, or watermarks. [0–5s] — THE JUMP She crouches confidently on a thick tree branch in a sunny park, focused and fearless. Without hesitation, she jumps forward. The camera dives rapidly alongside her as she falls toward a picnic table below. [5–9s] — THE SIZE SHIFT Just before landing on the picnic table, her body suddenly shrinks to the size of a soda can. The tabletop transforms into a gigantic landscape filled with oversized sandwiches, fruit, chips, and drinks. She immediately starts running between the giant food items. [9–13s] — THE BEE A bee suddenly races past her like a speeding vehicle. She jumps onto its back and grabs onto its body. During the movement, another seamless scale transition makes her roughly the same size as the bee. The bee rapidly takes flight. [13–18s] — HIGH-SPEED FLIGHT The bee weaves through the park at incredible speed. She holds tightly onto its back as they race between pedestrians' legs. Giant shoes hit the ground around them like moving obstacles. Strong wind blows her hair and clothing backward while the camera tracks them at ground level. [18–22s] — WATER BALLOON CHAOS They fly through a group of children having a water-balloon fight. Time suddenly shifts into dramatic slow motion. Water balloons burst around her, with thousands of sparkling droplets suspended in the sunlight. She looks both nervous and thrilled as the bee narrowly avoids the explosions. [22–25s] — HUMAN TUNNEL Speed instantly returns to normal. The bee darts through a line of cheerleaders standing side by side. Their legs and colorful pom-poms create a rhythmic tunnel around the tiny rider. The camera races alongside them with energetic tracking movement. [25–27s] — THE TRANSFORMATION She jumps from the bee. While falling, her body rapidly expands back to normal human size in one seamless visual transition. A young adult male student nearby opens his arms and catches her safely. [27–30s] — FINAL MOMENT Both are now normal-sized. She briefly hugs him, then turns toward the camera with a playful smile and a quick wink. He looks surprised and delighted. Freeze briefly on the charming final frame. STYLE: photorealistic cinematic action, realistic human anatomy, natural facial expressions, physically believable movement, seamless scale transformations, bright summer sunlight, realistic shadows, detailed park environment, dynamic FPV-style camera movement, controlled motion blur during high-speed transitions, slow-motion water droplets, cinematic depth of field, 4K HDR.

SCENE CONTEXT Real unedited footage posted as a viral reel. A fisherman on a wooden dugout canoe in a calm tropical lagoon clips a small action camera onto the back of a live giant trevally and gently releases it. Then the raw view from the camera riding on the fish: it swims calmly over white sand, through a hanging bead curtain, into a dark reef cave, and out into a hidden underwater neon party where a school of fish wear glowing star-shaped sunglasses. CHARACTERS Fisherman: Pacific Islander man about 55, dark sun-worn skin, grey stubble on the chin, faded sweat-stained khaki button shirt with rolled sleeves, strong weathered forearms. His face is cropped at the top edge of frame, only chin and stubble visible. Hero fish: adult giant trevally about 55 cm long, deep oval body, steep blunt forehead, silver-grey body with a soft purple-blue sheen on the back, pale silver belly, large yellow-gold eye, tall swept-back dorsal fin, deeply forked tail. Wet glossy scales. Action camera: small matte-black cube camera, about the size of a matchbox, with a round lens and a small square rear screen, on a short black plastic clamp mount with a thumbscrew, fixed on the fish's back just in front of the dorsal fin with a flat black strap under the belly. Plain black, no logo, no text. Party fish: a school of about 40 pink-silver reef snappers, 30 cm long, with orange-red tails, each wearing oversized novelty party sunglasses: two five-pointed star-shaped frames made of thin glowing neon tubes, dark smoked lenses, in hot pink, lemon yellow, lime green, electric blue and violet. LOCATION MAP Surface: a calm shallow lagoon at midday, gin-clear turquoise water 2 m deep over pale sand and dark coral patches, deep blue water toward a flat horizon, bright blue sky with small white clouds. An old dugout canoe of sun-bleached grey wood with bamboo outrigger poles. Sun high from the left. Seabed: white rippled sand with moving sunlight patterns, low coral heads, rocky reef walls rising left and right, silver shimmering water surface above. In the distance a dark rock archway with a round hoop hanging inside it, hundreds of long strands of pastel beads (mint, lilac, peach, pale yellow, baby blue) hanging straight down to just above the sand. Cave: a narrow reef cave with dark green-teal algae-covered rock walls, a sandy floor, and a small ragged hole in the far wall glowing purple. Neon party: a large underwater cave chamber with deep purple water, pink, green and blue laser beams crossing diagonally, round spotlights glowing on the rock walls, bubbles and glowing particles drifting up, magenta haze. FIRST FRAME / BLOCKING Non-empty opening frame: vertical phone shot at chest height, filmed by a person standing on the canoe just behind and left of the fisherman. His two wet hands hold the trevally sideways over the turquoise water in the middle of frame, the fish facing left, the black action camera already sitting on the clamp on its back, his right thumb on the thumbscrew. The canoe edge and a bamboo pole in the lower right. Horizon in the upper third. The fish's tail flexes slightly, water drips from its belly, the sea sparkles. Already in motion. FORMAT MODE Timed multishot, exactly ONE HARD CUT at 0:05. Shot 2 is one unbroken take from 0:05 to 0:15. Cuts only at the specified point, the camera does not cut on its own. OPTICS SHOT 1 (0:00 to 0:05): medium at 47° FOV, normal smartphone main-camera look, deep focus, crisp daylight detail, no drift mid-segment. SHOT 2 (0:05 to 0:15): action-camera wide at 107° FOV with a light natural barrel curve at the edges, deep focus, the fish's forehead and the front edge of the camera mount visible at the bottom center of frame, no drift mid-segment. 180° shutter motion blur on movement. CAMERA Shot 1: one-handed phone held by a relaxed person standing on a floating canoe. Small natural hand micro-movement and the slow gentle sway of the canoe on calm water, about 2° of roll every few seconds. The phone follows the action calmly, with one smooth natural tilt downward as the fish goes into the water. Normal phone exposure, the sky slightly bright. Shot 2: the camera is fixed on the fish's back, so the view moves only with the fish's body. A smooth forward glide at a calm swimming speed of about 4 km/h, with a soft rhythmic side-to-side sway of a few degrees from each tail beat, a slight lean into each gentle turn, and small easy rises and dips. Natural action-camera image with wide tonal latitude, soft highlight roll-off, exposure easing gently as the light changes. SCENE BY SCENE SCENE 1 (0:00 to 2:30), attaching the camera: the fisherman presses the camera firmly down onto the clamp and gives the thumbscrew two short turns with his thumb. He lets go of the camera and taps it once with his fingertips to check it. It stays firm. The fish shifts its weight once in his hands and he calmly adjusts his grip under its belly. SCENE 2 (2:30 to 5:00), the release: he leans a little over the canoe side, the canoe dips slightly toward him, and water laps the wood. He lowers the fish until its belly touches the surface, the water closing around its body. He opens his hands. The fish gives two strong tail kicks, a small splash and a spray of droplets, and swims down and away at an angle into the clear water, its silver body flashing in the sun until it becomes a dark shape. Small ripple rings spread on the surface. His wet hands stay hovering over the water for a moment. 0:05 HARD CUT to the fish-cam. SCENE 3 (5:00 to 8:00), the seabed: the frame starts in a brief soft swirl of white bubbles, which clears within a second. The fish levels out and glides calmly about 1 m above the white sand, sunlight ripples sliding across the seabed, small particles drifting past the lens. It makes an easy curve left around a coral head and straightens. Far ahead, the bead curtain hangs in the dark rock arch, getting slowly larger. SCENE 4 (8:00 to 9:30), the curtain: the fish slows as it reaches the curtain and swims straight through. The pastel bead strands slide over the lens and the fish's forehead and fall away to both sides, swinging gently. The light drops to dim teal and the image takes a moment to adjust to the dark. SCENE 5 (9:30 to 11:30), the cave: the fish glides slowly through the dark cave, green-teal rock passing on both sides. Ahead, the small hole in the rock glows purple, and colourful light flickers through it. The fish swims steadily toward the glow. SCENE 6 (11:30 to 15:00), the neon party: the fish passes through the hole into the neon party cave. The image flares bright for a moment and settles. Pink, green and blue laser beams cross the water, spotlights glow on the rock walls, bubbles drift up through the light. The school of snappers in glowing star sunglasses swims around the hero fish in a slow swirling crowd. One snapper in yellow star glasses swims close past the lens, filling a third of the frame. The hero fish glides into the middle of the school as they swirl around it. PERFORMANCE Fisherman: calm, unhurried, experienced hands that have done this many times, simple economical movements. Real skin: deep knuckle creases, sun spots, raised veins on the back of the hands, salt-whitened nails, sea water running down the forearms and catching the sun. Hero fish: real trevally behaviour, smooth relaxed swimming, pectoral fins extending slightly on turns and slow-downs, gills pulsing gently. Party fish: real reef-fish schooling behaviour, the whole school turning together, some fish nosing curiously toward the camera. PHYSICS The fish has real weight in his hands and bends slightly with its own mass. The camera clamp stays rigid on its back. Real water: splash droplets, foam, and ripple rings at the release. The canoe floats and responds to his weight. Underwater: rising bubbles, floating particles, sand lifting softly where the fish passes low, bead strands swinging with weight and settling slowly. Nothing floats except bubbles, particles and sand. LIGHTING Shot 1: bright natural midday tropical sun from the left, WB 5600K, sparkles on the water, short shadows under the hands. Seabed: soft sunbeams through the water and moving light ripples on the sand, WB 6500K. Cave: dim teal at about 10% exposure, purple glow from the hole. Party: no daylight, only party light, saturated pink, purple, blue and green beams through 30% haze, the neon glasses glowing and lightly tinting the fishes' faces. COLOR GRADE Natural ungraded phone and action-camera colour. Turquoise lagoon, pale sand, sun-bleached grey canoe wood, beige khaki shirt under white sun. Then cool aqua underwater with pale sand, dark teal rock in the cave, and finally rich purple water with pink and green laser beams and bright neon frames on silver-pink fish. Color tied to source and surface, not a flat list. AUDIO 0:00 to 5:00: no music. Real phone-mic audio: gentle water lapping against the wooden canoe, a light breeze on the mic, a small plastic click of the camera screw, the wet slap of the fish's tail, a soft splash at the release. 5:00 to 9:30: muffled underwater sound, a short rush of bubbles after the cut, then calm deep ocean ambience, soft swishes of the tail, a gentle wooden clicking of beads as the fish passes through the curtain. 9:30 to 11:30: a muffled bass beat heard faintly through the rock, getting louder and clearer as the fish nears the glowing hole. 11:30 to 15:00: the beat drops clearly the moment the fish enters the party. Original upbeat electronic house track, no vocals, punchy kick and warm bass, lightly muffled by the water. No dialogue, no subtitles. STYLE Real unedited footage, a normal smartphone clip followed by a normal action-camera clip, exactly like a real video posted online. 8K photorealistic, natural and simple, fine sensor grain in the dark cave, no 3D render, no game engine, no game-cutscene aesthetic, no cinematic polish. OUTPUT SETTINGS Vertical 9:16, 1080x1920, 15 seconds, 30 fps, real-time speed throughout. POSITIVE LOCKS Calm, natural, organic movement from start to end, with every motion simple and believable. Same hero fish and same small plain black action camera across the cut. No logos, no text, no UI, no subtitles. The fisherman's face stays cropped at the top, his hands natural and human-sized with five fingers each. The hero fish's forehead stays at the bottom center of the fish-cam view and the hero fish wears no sunglasses. Every party fish wears star-shaped neon sunglasses with five-point star lenses. The camera stays small and correctly sized to the fish. Eyes stay natural, no eye glow. Contact shadows on the sand read clearly.

Epic cinematic action sequence at dawn inside a massive abandoned railway station, shattered glass and drifting smoke filling the platforms. A strikingly beautiful female operative in a fitted dark tactical outfit races across the tracks as armed attackers close in from both sides. She slides beneath a collapsing metal barrier, grabs a hanging cable and swings across the platform, kicking one attacker into a concrete pillar before using the cable to pull another off balance. A speeding train suddenly tears through the station behind her, showering the scene with sparks as she lands, turns toward the remaining enemies and charges forward through the smoke. Hyper-realistic, intense cinematic lighting, dynamic camera movement, realistic physical choreography, dramatic sparks, atmospheric smoke, high-impact Hollywood action, photorealistic 4K.

Create a 15-second vertical 9:16 ultra-realistic cinematic video of a young woman with long brown hair tied in a ponytail, wearing a fitted white button-up shirt, light blue ripped jeans, and brown heels. Scene 1: Begin with the woman sitting calmly on the edge of a high-rise rooftop at sunset, overlooking a stunning modern city skyline with skyscrapers and a river in the distance. Warm golden-hour sunlight, dramatic clouds, realistic skin and clothing details, cinematic depth of field. Scene 2: She suddenly leans forward and dives off the rooftop. Show her falling gracefully through the city while maintaining the exact same appearance, hairstyle, clothing, and body proportions. The camera follows her from behind as skyscrapers rush past below. Scene 3: She appears to move effortlessly through the air beside tall glass buildings, almost like she is flying. Capture dynamic aerial camera movement, realistic wind and fabric motion, dramatic perspective, and cinematic motion blur. Scene 4: Transition to her landing safely on another rooftop. She immediately continues running across the rooftop while the sunset city remains in the background. Scene 5: End with a wide aerial shot showing the woman moving across the rooftop and then soaring away into the distance above the city skyline, silhouetted against a breathtaking orange sunset. Style: photorealistic, cinematic Hollywood-style visuals, realistic human anatomy, natural movement, detailed city environment, golden-hour lighting, volumetric light, realistic shadows, subtle motion blur, smooth camera transitions, high detail, immersive atmosphere. Maintain perfect character consistency throughout the entire video. No face changes, no outfit changes, no extra limbs, no distorted hands or body, no duplicate person, no flickering, no text, no watermark.

DURATION: 10 seconds STYLE: Ultra-realistic live-action, cinematic Korean school action drama, photorealistic, 8K, realistic human movement, dynamic action choreography, realistic physics, fast-paced multi-shot editing, cinematic camera movement. MC: Eriek @image1 — young woman, tall and very slender, wearing a realistic Korean high-school female uniform. Preserve Eriek's facial identity, body proportions, hairstyle, and appearance adapted to a female high-school student. ENVIRONMENT: Outdoor Korean high-school basketball court, bright daytime, realistic school buildings, basketball hoop, students in the background, natural sunlight. AUDIO: Natural school ambience, basketball sounds, shoe friction, loud basketball impacts, students laughing, sharp air-whoosh during the jump and 720° kick, extremely fast basketball whoosh. No music. SCENE & TIMELINE: SHOT 1 — 0–2.5s Wide side shot of the outdoor basketball court. Eriek is squatting at the edge of the court, calmly fixing her loose shoelace. Suddenly, a basketball flies into frame at high speed and slams directly into Eriek's upper body. The hard impact knocks her backward onto the court, accompanied by realistic camera shake and motion blur. SHOT 2 — 2.5–3.5s Hard cut to a group of young female students in basketball uniforms laughing loudly at Eriek after deliberately hitting her with the ball. SHOT 3 — 3.5–5.5s Hard cut back to Eriek sitting on the ground. She calmly picks up the basketball, gives a confident, mischievous smile, stands up, and faces the group. SHOT 4 — 5.5–8.0s Continuous side-angle shot keeping both Eriek and the ball in frame. Eriek throws the basketball straight upward several meters, jumps up after it, and performs a full 720° spinning kick (two complete aerial rotations). During the second rotation, her foot connects cleanly with the ball, launching it horizontally across the court at extreme velocity without cutaways. SHOT 5 — 8.0–10.0s Dynamic tracking shot follows the fast-moving basketball. The ball slams into the torso of the main bully, knocking her backward to roll across the court. The other students freeze in shock. End right after the student finishes rolling. CRITICAL ACTION ORDER: * Eriek picks up the basketball. * Eriek throws the basketball straight upward. * The basketball visibly rises. * Eriek jumps upward after the ball. * Eriek reaches the ball in mid-air. * Eriek performs two complete 360° rotations (720° spin kick). * Her foot cleanly strikes the ball during the second rotation. * The ball rockets forward at high speed. * The ball hits the bully. * The bully is knocked backward and rolls. No weapons, no blood, no gore, no supernatural effects.